Key to Art History

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The Twentieth Century

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Four events or ideas affected (and continue to affect) the development of art in the twentieth century:

  1. The ongoing development of new media forced artists to develop in increasingly abstract ways.
  2. New ideas about the nature of the human mind, beginning with Freud's theory of the subconscious, influenced where artists searched for subject matter.
  3. Revolutionary political ideas and the volatile political climate at the beginning of the century and throughout the two world wars encouraged artists to become propagandists for the political or philosophical movement they supported.
  4. New ideas about the nature of time and reality, as espoused by Einstein and other physicists, led to the notion that artists should not be bound by traditional concepts of space and time.

Ultimately, as photography began to take over more and more of their traditional "business," some artists would abandon representational imagery altogether. The notion that artists should not be copying anything (either nature or photographs), pervaded the art community. Dozens of "movements" sprang up, each with a particular philosophy or "manifesto." Pictures ranged from the completely non-objective works of Mondrian to the more recent hyper-realism of Richard Estes, Chuck Close and others. 

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Chuck Close
"Self Portrait"

In addition to photography, artists now had to compete with movies, television and other technologies used to produce images. Artists began to experiment with new media and forms. The lines between various media became blurred and, in some cases, disappeared altogether.

The most extreme reaction to the dilemma of modern art was the Minimalist movement, in which no actual work of art actually existed, only a proposal or an idea! Mark Rothko and Helen Frankenthaler are two prominent minimalist artists.

During the first ten years of the century, even though art was becoming increasingly abstract artists were still more concerned with beauty than politics. Most of Europe was experiencing economic growth and development. Movements evolved like the Fauvism of Henri Matisse and the Abstraction of Wasily Kandinsky.

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Wassily Kandinsky "Improvisation"

As the 20th Century progressed, the Russian revolution and the first world war had a profound affect on art. The Dadaist and Surrealist movements arose out of a disgust with a social structure that could create so much misery, death and destruction. Many of the early Dadaists and Surrealists were communists who believed that all aspects of capitalist, bourgeois society had to be destroyed. Dadaists, sometimes with the use of humor, attempted to create a sort of anti-art. Marcel Duchamp was a leading proponent of Dadaism. Many Surrealists believed that by plunging into the subconscious a "super-realism" could be found. One of the leading surrealist painters was Salvador Dali

Another movement that developed during this same time was the De Stilj movement in Amsterdam. This movement emphasized the need for total abstraction and simplification, using straight lines, rectangles and cubes, as well as the use of primary colors of red, yellow and blue, and the neutral colors black, white and grey. The most well known member of this movement was Piet Mondrian . Mondrian eventually moved to Paris, where he and other abstract artists influenced Alexander Calder , who became America's first abstract artist of international fame. Calder is credited with inventing the mobile or moving sculpture.

As dictatorships emerged in Europe between the wars, artists fled to France, England and the United States to avoid persecution and to practice their art. Russian experimentation with abstract and non-objective form was supported during the early years of the Russian revolution, but many artists left the Soviet Union when the authoritarian regime of Josef Stalin began to suppress their "decadent" art. 

Pablo Picasso left Franco's Spain for France and promised not to return until Fascism ended. Picasso and Georges Braque conceived the notion, derived in part from Cezanne, that a painting did not have to be confined to a single point of view or perspective. They called this style Cubism. Many Jewish artists fled Germany to avoid the oppression of Hitler's regime. These dictators, regardless of their political differences, were united in their dislike for "modern" art and preferred an idealized, heroic, socialist "realism."

Picasso
Seated Woman
Mus�e Picasso, Paris

After the Second World War, the expanding economy of the United States provided a variety of communities that supported an ever increasing variety of artistic movements: Abstract Expressionism, Regionalism , Minimalism, Op Art, Pop Art, Performance Art, Conceptual Art and Hyper-realism to name a few. Universities and large cities supported artists working in the European avant-garde tradition, while conservative, regionalist artists such as Thomas Hart Benton , Grant Wood and John Steuart Curry prospered in the Midwest. The leading figure in American Abstract Expressionism was Jackson Pollock. Andy Warhol in the United States and David Hockney in England were proponents of Pop Art, which attempted to make art from the commonplace.

Artists who, a hundred years ago, would have been painters or sculptors are now directing films or creating video, and yet, there is still a market for traditional art forms. There is clearly more freedom today for artistic self expression than at any time in history.

Additional Resources

bullet Read about Futurism .
bullet Read about the De Stijl movement .
bullet See works of Piet Mondrian .
bullet Take a virtual tour of the Alexander Calder exhibit at the National Gallery of Art.
bullet To view the most avant-garde art and artists, visit the Museum of Modern Art .
bullet Learn more about Chuck Close .
bulletView a comprehensive site dedicated to Surrealism.
bullet Read Andre Breton's " Surrealist Manifesto ."
bullet Visit the Salvador Dali Museum .
bullet Read about Belgian Surrealist Rene Magritte .
bulletView the methods Jackson Pollock used to create his paintings.

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