There is a general consensus that Art during the Baroque period
(1600's) was more ornate and dramatic than the austere
classicism of the Renaissance, but less distorted and theatrical than Mannerism. Baroque
artists such as Rembrandt,
Vermeer
and Caravaggio were extremely interested in painting the effects of light
on their subject matter. This interest may have been influenced by the relatively new
science of "optics."
Rembrandt
and Caravaggio
both used a dramatic lighting that left some of the picture in deep shadow.
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Caravaggio's
"Crucifixion of St. Peter" (fragment)
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Bernini,
Italy's most prolific
Baroque sculptor, tried
to capture the most dramatic and emotional moments in his depiction of religious figures. But the most
progressive artistic development during the Baroque period was the democratization of subject matter and access
to art objects. Unlike the Renaissance, the painters Rembrandt, Vermeer and Caravaggio
felt free to use middle and lower class subjects for their paintings. New techniques for
reproduction, such as printmaking, made pictures available to the middle class.
The Baroque was not a homogeneous
style. Throughout Europe, it was a combination of Mannerist excess and Renaissance
austerity. The Baroque style differed from country to country. Italian artists, rejecting
Mannerism, generally tended toward naturalism. In Holland, where the middle class was
growing without the baggage of an entrenched
and powerful aristocracy, subject
matter and style was influenced by the new middle class market. Elsewhere, Ruebens,
Bernini, Velazquez
and others continued the tradition of church and aristocratic patronage.
The 1700's saw the rise, especially in France, of strong centralized monarchies. This
wealthy oligarchy produced a style of
art, known as the Rococo, that mirrored the royalty's sumptuous, self-indulgent tastes. It
possessed much of the anti-classical linearity
and excessive decoration of Hellenism and Mannerism. Rococo painting is best characterized
by three artists: Fragonard,
Watteau and
Boucher.
Many of the
aristocrats, whose wealth supported an extravagant life style, were later to die in the
violent revolution that produced the French Republic and the style of art known as
Neoclassical.
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Fragonard's
"The Reader" (fragment)
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Additional Resources
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